버클리 프레스: 현대 기타 주법 - Volumes 1~3 합본 |
Berklee press: A Modern Method For Guitar - Volumes 1, 2, 3 Complete |
50449468 |
50,000원 |
옵션선택 |
PRODUCT | 상품수 | 가격 |
---|
버클리 프레스: 현대 기타 주법 - Volumes 1~3 합본 |
Berklee press: A Modern Method For Guitar - Volumes 1, 2, 3 Complete |
50449468 |
50,000원 |
옵션선택 |
PRODUCT | 상품수 | 가격 |
---|
A Modern Method for Guitar – Volumes 1, 2, 3 Complete |
Series: Berklee Methods |
Publisher: Berklee Press Publications |
Author:
William Leavitt |
Inventory #HL 50449468 |
ISBN: 9780876390115 |
UPC: 073999494686 |
Width: 9.0" |
Length: 12.0" |
424 pages |
Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike. |
유명한
기타 레슨 교재 3권이 함께 묶여 있는 패키지입니다. 버클리 음악대학에서 기타 프로그램의 기본 교재로 사용하는 매우 실용적이면서 이해하기
쉬운 기타 교본의 Volume 1, 2, 3이 함께 들어 있는 이 교본에는 혁신적인 솔로, 듀엣, 멜로디, 하모니, 리듬 등의 내용들이
수록되어 있습니다. 진지하게 기타에 접근하는 학생과 강사 모두에게 적합한 교본입니다.
TAB 악보로는 기보되어 있지 않으며
일반 오선악보로만 기보되어 있습니다. (432 pages)
※ Volume 1
기타와 음악에 관한 이해하기 쉬운 기초를 다룬, 입문용 교재입니다.
* scales
* melodic studies
* chord and arpeggio studies
*
special exercises for both hands
* accompanishment techniques
* a unique
approach to voice leading using moveable chord forms
수록내용
Section I
Tuning, The Staff, Clef Sign, Common
Note Values
Notes in the First Position
Sea to Sea (Duet)
Note and
Chord Review (Upper Register)
One, Two, Three, Four (Duet)
Rhythm
Accompaniment
Review (Lower Register)
Imitation Duet
Sharps and
Flats
Here We Go Again (Duet)
Rhythm Accompaniment (Bass Notes and
Chords)
Eighth Notes - Counting and Picking
Etude No. 1 (Duet)
Rests, Tied Notes, Dotted Notes
Etude No. 2 (Duet)
First Solo
Rhythm Accompaniment (Chord Diagrams Explained)
Second Solo
Etude
No. 3 (Duet)
Picking Etude No. 1 (Right-Hand Development)
Etude
Two,
Two (Duet)
Key of G Major (First Position)
Rhythm Accompaniment (Chord
Diagrams)
Sixteenth Notes
Duet in G
Picking Etude No. 2
Another
Duet in G
Key of F Major (First Position)
Rhythm Accompaniment (Chord
Diagrams and Grand Barre)
Duet in F
The Triplet
Waltz in F (Solo)
Key of A Minor (First Position)
Rhythm Accompaniment (Chord Diagrams)
Pretty Pickin' (Duet)
Dotted Eighth and Sixteenth Notes
Key of E
Minor (Scales in First Position)
Rhythm Accompaniment (Chord Diagrams)
Take Your Pick (Duet)
Rhythm Accompaniment (Movable Chord Forms)
Chromatic Scale (First Position)
Speed Studies
Key of D Minor
(Scales in First Position)
Rhythm Accompaniment
Endurance Etude (Picking
Etude No. 3)
Key of Bb (Scales in First Position)
Rhythm Accompaniment
Duet in Bb
Reverse Alternate Picking Study
Key of D Major (Scale in
First Position)
Duet in D
Dynamic Etude - Etude No. 4 (Duet)
Key of
A Major (First Position)
Duet in A
Rhythm Accompaniment
Key of Eb
Major (Scale in First Position)
Duet in Eb
Movable Chord Forms
Chord
Simplification and Substitution Chart
Picking - A Different Technique
Section II
Position Playing
Major Scales (C
Major, Fingering Type 1, Second Position)
Chord Etude No. 1
Etude No. 5
(Duet)
Reading Studies (C Major, Fingering Type 1, Second Position)
Ballad (Duet)
Movable Chord Forms
Chord Forms (Derivative
Fingerings)
Rhythm Accompaniment - Right-Hand Technique
Picking Etude
No. 4
F Major Scale (Fingering Type 1A, Second Position)
Chord Forms
Chord Etude No. 2
Another Duet in F
Reading Studies (F Major,
Fingering Type 1A, Second Position)
Play It Pretty (Duet)
Chord Forms
Triplet Study
Speed Study - Fingering Type 1
Speed Study - Fingering
Type 1A
G Major Scale (Fingering Type 2, Second Position)
Dotted Eighth
and Sixteenth Study
Waltz for Two (Duet)
Chord Forms
Reading Studies
(G Major, Fingering Type 2, Second Position)
Blues in G (Duet - Muffled
Effect)
Chord Etude No. 3
Rhythm Accompaniment - Right-Hand Technique
(Basic Latin Beat)
Picking Etude No. 5
Short and Sweet (Duet)
D
Major Scale (Fingering Type 3, Second Position)
Chord Forms
Melodic
Rhythm Study No. 1 (Syncopation)
Chord Etude No. 4
Staccato, Legato
Reading Studies (D Major, Fingering Type 3)
Dee-Oo-Ett (Duet)
Chord
Forms
Speed Study - Fingering Type 2
Speed Study - Fingering Type 3
A Major Scale (Fingering Type 4, Second Position)
Chord Etude No. 5
Reading Studies (A Major, Fingering Type 4, Second Position)
Tres Sharp
(Duet)
Sixteenth Note Study
Chord Forms
Speed Study - Fingering Type
4, Second Position
Chord Forms
Second Position Review
Chord Forms
Quarter Note Triplets
Major Scales in Third Position (Bb,Eb,Ab,Db)
Third Position Review
Chord Forms
Major Scales in First Position
(Ab,Db)
First Position Review
Major Scales in Fourth Positions (G,D,A,E)
Chord Forms
Fourth Position Review
Chord Forms
Author's Notes
Index
※ Volume 2
중급자 레벨의 교재로서 멜로디, 스케일, 아르페지오, 코드 등을 핑거보드 전체로 확장해서 다루고 있습니다.
* intervals
* chord voicings
* improvisation
* rhythm-guitar
techniques
* play-along duets
수록내용
Section One
Four Basic Major-Scale Fingering
Patterns
C Major Scale - Ascending (Five Positions)
C Major Scale -
Descending (Five Positions)
"Getting Up There" (Duet)
"Chord Etude
N0. 6"
"Melodic Rhythm Study No. 2"
(¢ and 2/4)
Triads
(Three-Note Chords)
F Major Scale - Ascending (Five Positions)
F Major
Scale - Descending (Five Positions)
"Another Waltz for Two" (duet)
Chord Forms
Speed Study
Triads (F Chords)
Rhythm Guitar - The
Right Hand (4/4 and 2 beat)
"Chord Etude No. 7"
G Major Scale -
Ascending (Five Positions)
G Major Scale - Descending (Five Positions)
"Sea-See-Si" (duet)
Chord Forms
Triads (G Chords)
Finger-Stretching Exercises
D Major Scale - Ascending (Five Positions)
D Major Scale - Descending (Five Positions)
"Melodic Rhythm Study No.
3" (duet)
Intervals
Triads (D Chords)
A Major Scale - Ascending
(Five Positions)
A Major Scale - Descending (Five Positions)
"Chord
Etude No. 8"
Rhythm Guitar - The Right Hand (Rock-Style Ballad)
Chord
Forms
"Tranquility" (duet)
Triads (A Chords)
Bb Major Scale -
Ascending (Five Position)
Bb Major Scale - Descending (Five Position)
"Waltz in Bb" (duet)
"Melodic Rhythm Study No. 4"(6/8)
Finger-Stretching Exercises
Triads (Bb Chords)
Pentatonic Scales
Tremolo Study
Eb Major Scale - Ascending (Five Positions)
Eb Major
Scale - Descending (Five Positions)
Chord Forms
Major Scale Review
(Positions II,III,V)
Triads (Eb Chords)
Theory: Diatonic Triads in Major
Keys (Explanation)
Diatonic Triads - Arpeggios and Scales
Key of G
Major
Key of F Major
Key of Bb Major
Key of Eb Major
"5th Position Study" (duet)
Major Triad Exercise
Minor Triad Exercise
Section Two
One-Octave Arpeggios - G Triads
Glissando
Real Melodic (or Jazz) Minor Scale
C Real Melodic Minor (Five
Positions)
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (duet)
One-Octave
Arpeggios - D and C Triads
F Real Melodic Minor (Five Positions)
"5th
Position Study No. 2" (duet)
One-Octave Arpeggios - A and F Triads
Chord
Forms
Slur
Trill
Theory: Diatonic 7th Chords (Major Keys)
Arpeggios - G Diatonic Sevenths
Arpeggios - C Diatonic Sevenths
G
Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C
Major Triad from the Root
"Chord Etude No. 9"
"The Wanderer"
(duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - F Diatonic
Sevenths
Theory: Chord-Scale Relationships with Diatonic Structures
D
Real Melodic Minor (Five Positions)
Chord Forms - 3rd in the Bass
"Chord Etude No. 10"
Two-Octave Arpeggios
G Major Triad from the 3rd
F Major Triad from the 5th
Rhythm Guitar - The Right Hand (Jazz
Waltz)
Inverted Mordent and Mordent (Explanation)
Arpeggios: Bb
Diatonic Sevenths
A Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C Minor Triad from the Root
Appoggiatura and
Turn or Grupeto
"Melodic Rhythm Study No. 6" (duet)
Rhythm Guitar -
The Right Hand (Cha Cha and Beguine)
Arpeggios - Eb Diatonic Sevenths
Theory: Chord Scale Relationships (Nondiatonic Minor 7 and Major 7)
"7th Position Study" (duet)
"Solo in G"
Bb Real Melodic Minor (Five
Positions)
Chord Forms - 7th in the Bass
:"Chord Etude No. 11"
Two-Octave Arpeggios
G Minor Triads from the 3rd
F Minor
Triads from the 5th
Key Signatures (Explanation)
Theory: Chord-to-Chord
Motion
Chromatic Scale
Eb Real Melodic Minor (Five Positions)
Chord
Forms
"Chord Etude No. 12"
Speed Study
Two-Octave Arpeggios
C Diminished Triad from the Root
G Diminished Triad from the 3rd
F Diminished Triad from the 5th
"Melodic Rhythm Study No. 12"
(duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two-Octave Arpeggios - Bb, F#, and D Augmented Triads
Theory: Chord
Scale Relationships - Nondiatonic Minor 6th and (Unaltered)
Dominant 7th
Chords
"Solo in D"
Index
※ Volume 3
Volumee 1과 2에서 다룬 주제들을 계속 다루면서 그 영역을 확장하는 내용을 수록하고 있습니다.
수록내용
Evolution of Twelve Major Scale Fingering Patterns
A Refined
Definition of Position
Speed Study
"Solo in Bb"
Rhythm Guitar - The
Right Hand (Rhumba)
Explanation of Voices in Chords
Triad Studies -
Chords in C Major (Close and Open Voicings)
Adjacent Strings - Common Finger
Exercises
Major Scales - Position II (Twelve Keys Ascending Chromatically)
Principal Real Melodic Minor Scales - Position II (Nine Practical
Fingerings)
Triad Studies - Chords in G Major (Close and Open Voicings)
Arpeggios - Three-Note Chords - Major Triads
Arpeggios - Three-Note
Chords - Minor Triads
About Chord Symbols
Reference Chart for Major
Scale Fingering Types
Major Scales - Position III (Twelve Keys Descending
Chromatically)
"Melodic Rhythm Study No. 8" (duet)
About Practicing
Triad Studies - Chords in F Major (Close and Open Voicings)
Technical
Study
About Chord Construction
Major Scales - Position IV (Twelve Keys
Through Cycle 5)
Chord Constuction - Four-Part Harmony
Arpeggios -
Four-Note C Chords
Rhythm Guitar - The Right Hand (Tango, Merengue)
C
Major Scale (Twelve Positions)
Natural Minor Scales
Modes - A Brief
Discussion
Harmonic Minor Scales
A Harmonic Minor (Nine Positions)
"A Minor Etude" (solo)
Melodization of Triads
Recognition of Melodic
Degrees - Altered 5 and #4
About Chord Voicings
Arpeggios - Four-Note F
Chords
Arpeggios - Four-Note G Chords
Chord-Scale Relationships -
Dominant 7 Chords
Major Scales - Position V (Twelve Keys Descending
Chromatically)
Principal Real Melodic Minor Scales - Position V
Chord
Construction - Three-Note Voicings
Melodization of Tonic Major Chords
Melodization of Tonic and Subdominant Minor Chords
Diminished Scales in
Position
Chord Construction (Three-Note Voicings) Dominant 7 Chords
(Preparation of Close Voicings)
Recognition of Melodic Degrees - Dominant 7
Chords
Speed Study
Arpeggios - Four-Note Bb Chords
Arpeggios -
Four-Note D Chords
"Melodic Rhythm Study No. 9" (duet)
Rhythm Guitar -
The Right Hand (Mambo, Bolero, Conga)
Legato-Staccato (Explanation of
Portato)
F Major Scale (Twelve Positions)
D Harmonic Minor (Nine
Positions)
"Etude in D Minor" (solo)
Melodic Embellishment - The
Appoggiatura
Rhythm Guitar - The Right Hand (5/4 Swing)
About Altered
Chords and Chord Degrees
Arpeggios - Four-Note Eb Chords
Arpeggios -
Four-Note A Chords
Chord Construction - Three Notes - Melodization of
Dominant 7 Chords
Melodization of I Minor Chords with Harmonic Minor Scale
Arpeggio Studies - 7th Chords
"Melodic Rhythm Study No. 10" (duet)
Major Scales - Position VII (Twelve Keys Ascending Chromatically)
Principal Melodic Minor Scale - Position VII
Chords (Three Notes)
Melodization of Diminished Triads (Including Open Voicings)
Chords (Three
Notes) Melodization of Augmented Triads (Including Open Voicings)
Arpeggios
- Four-Note Ab Chords
Arpeggios - Four-Note E Chords
G Major Scale
(Twelve Positions)
E Harmonic Minor (Nine Positions)
"E Minor Etude"
(solo)
Chord-Scale Relationships - Dominant 7 Chords
Practical Fingers
for Moving from Position to Position
Chord Construction (Three Notes)
Dominant 7 Chords - Preparation of Close and Open Voicings
Arpeggios -
Four-Note Db Chords
Arpeggios - Four-Note B Chords
Rhythm Guitar - The
Right Hand (Samba)
"Polka Dot" (Polka-Duet)
Major Scales - Position VIII
(Twelve Keys Through Cycle 5)
Chords (Three-Note Voicings) Melodization of
Tonic Major Chords
Melodization of Minor 7 Chords as VIm7 (Diatonic
Substitution Explanation)
Melodization of Subdominant Major Chords
Melodization of Minor 7 Chords as IIm7
Arpeggios - Four-Note F# Chords
Arpeggios - Four-Note Gb Chords
Arpeggios - Four-Note C# Chords
Chords (Three-Note Voicings) Dominant 7 Chords - Open Voicings - All
Inversions
B Major Scale (Twelve Positions)
G Harmonic Minor (Nine
Positions)
"Etude in G Minor" (solo)
Arpeggios - Diminished Chords
(Spelling Most Used)
Arpeggios - Dominant 7(b5) Chords
Theory: Diatonic
7 Chords - Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and
Scale Study
Chords (Three-Note Voicings) Melodization of Subdominant Minor 6
Chords
Melodization of Minor 7(b5) as Altered IIm7 Chords
Melodization
of Dominant 7 Chords as IV7 and bVII7
Melodization of Dominant 7 Chords as
VI7
Major Scales - Position X (Twelve Keys Through Cycle 5)
Principal
Real Melodic Minor Scales (Position X)
Chords (Three Notes) Major 6 and
Major 7 Chords - Close and Open Voicings
Major 6 and 7 Chords - Open
Voicings - All Inversions
Chord Construction - Five-Part Harmony
Five-Note Arpeggios Major 7/9 and Dominant 9 Chords
"Daydreams" (duet)
Five-Note Arpeggios - Minor 9 and Dominant 9 Chords
D Major Scale
(Twelve Positions)
B Harmonic Minor (Nine Positions)
"B Minor Etude"
(solo)
Chords (Three-Note Voicings) Dominant 7 Chord Study with b5
(Chromatic Approach) in the Bass
About Chord Progressions (Cycle 5)
Theory: Interchangeable Chord Structures
Rhythm Guitar - The Right Hand
(Joropo, Nanigo)
Arpeggio Study - Seventh Chords
Chords (Three-Note
Voicings) Melodization of Minor 7 Chord as IIIm7
Melodization of Minor 7(b5)
Chords as VIIm7(b5)
Chromatic Melodization of Dominant 7 Chords (Close and
Open Voicings)
"Melodic Rhythm Study No. 11" (Optional Duet with Rhythmic
Guitar)
Five-Note Arpeggios - Minor 6(9), Dominant 9sus4, and Dominant 7(b9)
Chords (Three-Note Voicings) Minor 7 and Minor 6 Chords - Close and Open
Voicings
Minor 7 Chords - Open Voicings - All Inversions
IIm7-V7-I Chord
Study
Chord-Scale Relationships - Special Alterations on Dominant 7 Chords
"Pretty Please" (duet)
Five-Note Arpeggios - Dominant 7(+9) Chords
Harmonization of a Melody - From a Lead Sheet with Chords Indicated
Eb
Major Scale (Twelve Positions)
C Harmonic Minor (Nine Positions)
"Etude
in C Minor" (solo)
Chord-Scale Relationships - Major Chords, Minor 7 Chords
Chords (Three-Note Voicings)
Minor 7 and 6 Chords - Close and Open
Voicings
Minor 6, Minor 7 Chords - Open Voicings, All Inversions
Five-Note Arpeggios - Dominant 7(+5,+9), Dominant 9(+5), and Dominant
7(+5,b9) Chords
Chords (Three-Note Voicings)
Melodization of I Minor
Chords with Harmonic Minor Scale
Melodization of IIm7(b5) Chords with
Harmonic Minor Scale
Melodization of Dominant 7 Chords with Harmonic Minor
Scale
"Teeah-Wanna" (Optional Duet with Ryhthm Guitar)
Rhythm Guitar -
The Right Hand ("Paso Doble")
Chord Study - Minor 7 with b5 (Chromatic
Approach in the Bass)
Chord Spelling - Five-Note Arpeggios - Minor (maj7/9)
and Dominant 7(b5,b9) Chords
A Major Scale (Twelve Positions)
F#
Harmonic Minor (Nine Positions)
"F# Minor Etude" (solo)
Chord Spelling -
Five-Note Arpeggios - Dominant 7(b9)sus4 and Dominant 9(b5) Chords
Chord
(Three Notes) Study in F Major and Study in F Harmonic Minor
Chord Spelling
- Five-Note Arpeggios - Dominant 7+9sus4 and Dominant 7(b5,+9) Chords
Additional Fingerings for Minor Scales
Chord-Scale Relationships -
Diminished 7 Chords - Augmented Triads
Chords - Preparation of Four-Part
Open Voicings - Adding the 5th Degree
Preparation of Four-Part Open Voicings
- Adding the Root
Chord Spelling - Five-Note Arpeggios - Minor 9(b5) Chords
About Improvisation
"It's Late" (duet)
Chords - Preparation of
Four-Part Open Voicings - Adding the 3rd Degree
Preparation of Four-Part
Open Voicings - Adding the 7th Degree
Scale-Chord Relationships - Major,
Harmonic Minor, Real Melodic Minor, Whole Tone, and Diminished Scales as Related
to Chords
accmusic
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